Monday, April 11, 2011

Michael Shannon to play villain in Superman movie!

This via Yahoo:

Movie News & Gossip

Michael Shannon to play villain in Superman movie (Reuters)

Photo: Frazer Harrison/Getty Images


LOS ANGELES (Hollywood Reporter) - Michael Shannon, who received an Oscar nomination for his supporting role as a mentally troubled man in "Revolutionary Road" two years ago, has been cast as the villain in the upcoming Superman film.
He will play General Zod opposite Henry Cavill 's Superman in "Superman: Man of Steel." Zod, like Superman, is from Krypton, where he commanded its armed forces. The character appeared in both 1978's "Superman" and its sequel "Superman II," where he was played by Terence Stamp .
"Zod is not only one of Superman's most formidable enemies, but one of the most significant because he has insights into Superman that others don't," said Zach Snyder, the director of the new film. "Michael is a powerful actor who can project both the intelligence and the malice of the character, making him perfect for the role."
Shannon, seen more recently as a stern federal agent in HBO's "Boardwalk Empire," joins a lineup that also includes Amy Adams as Lois Lane, and Diane Lane and Kevin Costner as Martha and Jonathan Kent, the adoptive parents of Superman's alter ego Clark Kent.

Thursday, March 31, 2011

Angelina Jolie Gets Her Own Comic Book!

This from

"Angelina Jolie Gets Her Own Comic Book!"-- but is she a hero or a villain-- let's ask Jennifer Aniston!

Us Magazine - March 29, 2011 8:39 PM PDT

    Story photo: PIC: Angelina Jolie Gets Her Own Comic Book!
  • Courtesy of Bluewater ProductionsUs Magazine
It's a bird. It's a plane. It's Angelina Jolie!
The superstar, 35, will be the subject of the comic book bio "Female Force: Angelina Jolie," which hits stores Wednesday.
PHOTOS: Stars as comic book characters
The 32-page book, which costs $3.99, will feature a colorful look at her career ups and downs as well as her unconventional family life with love Brad Pitt, 47, and their kids Maddox, 9, Pax, 7, Zahara, 6, Shiloh, 4, and two-year-old twins Knox and Vivienne.
PHOTOS: Brad and Angelina's PDA-packed year
Other stars who have been featured in Bluewater Productions' Female Force series include Sarah Palin, Oprah Winfrey and Hillary Clinton.
PHOTOS: Check out Maddox's wackiest 'dos
Tell Us: Would you read an Angelina Jolie comic?

Wednesday, March 30, 2011

Change to Wonder Woman's Costume Has Her Looking Like A Rhinestone Cowgirl!!

This via Yahoo! TV Blog

'Wonder Woman' Costume Gets an Upgrade

By Mike Krumboltz, Yahoo! Buzz | Wednesday, March 30, 2011, 11:35 AM

The "Wonder Woman" costume, before (left) and after NBC/Justin Lubin, Gaz Shirley/PacificCoastNews.com When "Wonder Woman" announced that Adrianne Palicki had been cast in the title role, buzz on the superhero show quickly shot through the roof. But then fans got a look at the ill-advised costume. Outrage quickly ensued. And hell hath no fury like a comic fan outraged.

The anger stemmed from Wonder Woman's shiny, rubber-like pants and high heels. It looked like a cheap version of a "sexy" Halloween costume. Fans cried out -- this is no way for a superhero, especially one of the most beloved of all time, to dress.

The blogosphere immediately went into cynical overdrive. Commenters on EW's article speculated that the show would be canceled in a matter of weeks. SlashFilm wrote that the outfit did little to inspire confidence in the show's prospects.

[Related: Check out our coverage of the original "Wonder Woman" costume.]

Apparently the producers of the show were listening. Some photos of the actress on the set have surfaced, and eagle-eyed fans quickly spotted the changes to Wonder Woman's threads. The shiny pants have been replaced by a more natural-looking fabric. Her footwear has gone through a transformation as well. The bright boots, which were once blue, are now red. And, even more important, no more high heels.

But even though some of Wonder Woman's outfit has changed, much of it remains the same. The red bustier is still intact as are her trademark tiara and lasso of truth. Time will tell if these modest changes to Wonder Woman's threads have a positive effect on the show when it premieres on NBC this fall.

Ms. Palicki is probably best known her work on the acclaimed TV series "Friday Night Lights."  And though she isn't well known, fans seem to be pretty supportive of her taking up the tiara. That includes Lynda Carter, who played Wonder Woman in the beloved (and campy) TV show from way back when. Carter even liked the original outfit, saying: "What's not to like! Adrianne [Palicki] looks gorgeous."

Friday, March 18, 2011

Another pic of the new Wonder Woman

This via Yahoo! TV Blog, and I have to say that  Tara Ariano sounds a bit jealous.

See the First Photo of Adrianne Palicki as Wonder Woman

By Tara Ariano, The Set | Friday, March 18, 2011, 1:28 PM

Last month, NBC's "Wonder Woman" reboot cast its titular superheroine, with "Friday Night Lights" star Adrianne Palicki stepping into Lynda Carter's invisible plane. Today, the production has released its first image of Palicki in costume as Wonder Woman...and here she is!

Wonder Woman

As James Hibberd notes on EW.com, "NBC promises the project, if picked up to series, will offer a serious, non-campy take on the DC Comics character."

I'm not entirely sure how that pledge jibes with this image. I understand that this take on Wonder Woman's look is congruent with her costume in the comic books, but the only thing less practical for crime-fighting than vinyl leggings is a bustier (and don't even get me started on the high-heeled boots). A "serious, non-campy" vigilante has to be dressed for speed and flexibility — and, one would hope, utility.

So if this pilot — and, with it, this get-up — makes it to series, I guess we should just wish good luck to Palicki's stunt double, and to the NBC censor who's definitely going to have to spend a lot of time pixelating her costume malfunctions.

Wednesday, March 9, 2011

Close to lights out for Spider-Man Musical Turn off the Dark

This from Associated Press:

People line up to enter the Foxwoods Theatre for a matinee showing of "Spider-Man: Turn Off the Dark," Wednesday, March 9, 2011 in New York. (AP Photo'Spider-Man' postponed; Taymor out as directorAP – People line up to enter the Foxwoods Theatre for a matinee showing of 'Spider-Man: Turn Off the Dark,' …

NEW YORK – Julie Taymor, the Tony Award winning director of "The Lion King," will no longer direct Broadway's troubled "Spider-Man" musical as producers announced a new creative team and postponed the show's official opening to summer.
Taymor, who also co-wrote the book for "Spider Man: Turn Off the Dark," will remain a part of the new team, lead producers Michael Cohl and Jeremiah J. Harris said Wednesday, in announcing an unprecedented sixth delay for the musical.
"Julie Taymor is not leaving the creative team. Her vision has been at the heart of this production since its inception and will continue to be so," the producers said in a statement. "Julie's previous commitments mean that past March 15, she cannot work the 24/7 necessary to make the changes in the production in order to be ready for our opening."
On Wednesday, a friend and longtime associate said the lack of time to hone the show had been one of Taymor's great frustrations.
"She's been distraught that there's so little time to rehearse," said Jeffrey Horowitz, artistic director of the Theatre for a New Audience.
Also distressing to Taymor has been the tenor of much of the news coverage and online chatter. "It's hard — I try not to look," she told The Associated Press in a brief conversation in December. She more recently referred to her troubles during a talk at TED, an annual tech conference held this year in Long Beach, Calif.
"I'm in `The Crucible' right now," she said, referring to the Arthur Miller play about the Salem witch trials. "It's trial by fire."
"She's distraught at how she's been labeled," Horowitz said. "They've said she's an artist only concerned with spectacle. I can tell you that all her visual ideas come from a deeply human idea of the story she is working on. And they say she's a `perfectionist' — well, what's wrong with being a perfectionist?"
"You don't hire people like Julie Taymor unless you want people who push boundaries," he added. "This show is a piece of art, and it has been described as a spectacle gone out of control. That is dangerous — for her, and for other artists who take risks."
The show's representative, Rick Miramontez, said no performances will be canceled during the overhaul.
Philip William McKinley and Roberto Aguirre-Sacasa have joined the $65 million production to assist with new staging and rewrites for the show, which was to have opened on March 15. Musical consultants Paul Bogaev and sound designer Peter Hylenski are also on the new team.
Bogaev, who won a Tony nomination in 2004 for his work on "Bombay Dreams," has a history of working with rock musicians who craft musicals, including "Tarzan" with Phil Collins and "Aida" with Elton John. Hylenski worked on "Elf," "Shrek" and "Scottsboro Boys," among other shows.
Taymor's directing duties will be handled by McKinley, who directed "The Boy From Oz" (2003) and "The Night of the Hunter" (2006). Aguirre-Sacasa worked on HBO's "Big Love" and has written for Marvel comics, and wrote the play "The Picture of Dorian Gray," based on the Oscar Wilde novel.
"The team will be implementing a new plan to make significant and exciting revisions to the production," producers Cohl and Harris said. "This amended schedule will allow the time necessary to execute the plan, which will include revisions to the script."
The delay has taken the show out of the running for Tony Award consideration this year, but it will be eligible for the 2012 season.
The stunt-heavy and highly visual musical was co-written by Taymor and Glen Berger, and has music by U2's Bono and The Edge.
"This is an epic ride, and the standing ovations we have seen from the preview audiences have confirmed our absolute faith in the project," Bono and The Edge said in a statement. "We are listening and learning and, as a result, we have a couple of new songs we are very very excited about putting into the mix."
The unusual move to again delay the show came as "Spider-Man" continues to defy the reviews and post impressive numbers at the box office. It was the second highest-grossing show on Broadway this week, after "Wicked," pulling in close to $1.3 million — though it was slightly down from the week before.
Indeed, the scene at the Foxwoods Theatre Wednesday was in marked contrast to the turmoil in the headlines. The line to get into the matinee snaked well down a huge city block, and was filled with tourists, an entire class of schoolchildren and others clearly excited to see the much talked-about flying scenes — including an aerial battle between Spider-Man and his nemesis, the Green Goblin. (At the evening performance, Green Goblin's steering mechanism froze and the stunt was canceled.)
"We came all the way from Utah to see this — got in on the redeye this morning," said Scott Clayson, a father of four from Brigham City. His wife and two daughters, ages 18 and 20, were with him. "A big part of the appeal is all the tricks they do," Clayson said. "We're really looking forward to it."
After the show, daughter McKell, 20, was ebullient. "I loved it!" she reported. "It was so different from anything I have ever seen. Really impressive."
As of Wednesday night's performance, "Spider-Man" has had 101 previews. For comparison, among musicals currently on Broadway, "Wicked" had 25 previews, "American Idiot" had 26 and "The Lion King" had 33. Most critics got fed up last month and reviewed it, largely panning it.
There is no official penalty for keeping a show in previews except embarrassment, something with which this show is familiar: It easily beat the 71-show mark for a musical having the most previews, which was held by Arthur Laurents' "Nick & Nora" in 1991. That may not bode well for the comic book hero — "Nick and Nora" collapsed a week after its official opening.
"Spider-Man" is unusual in that it has been built specifically for the 1,928-seat Foxwoods, meaning a traditional tryout outside New York to fix glitches and smooth out problems wasn't possible.
Unlike "Wicked," tickets to "Spider-Man" are now available at the discount TKTS booth — a possible reason that total grosses slipped last week.
Also last week, the show's production company was issued three violations of workplace safety standards by federal regulators for four separate incidents late last year that resulted in injuries to the cast.
___
Associated Press writer Matt Moore in Philadelphia, and Associated Press writer Deepti Hajela, AP Television writer Frazier Moore, and news researcher Julie Reed in New York contributed to this report.

Spider-Man's debut comic sells for $1.1 million

This just in from Yahoo:

Spider-Man's debut comic sells for $1.1 million


PHILADELPHIA – A comic collector has been caught in Spider-Man's web, paying $1.1 million for a near-mint copy of "Amazing Fantasy" No. 15 that features the wall-crawler's debut.

The issue, first published in 1962, was sold Monday by a private seller to a private buyer, ComicConnect.com chief executive Stephen Fishler told The Associated Press on Tuesday.

It's not the highest price ever paid for a comic book, an honor that goes to "Action Comics" No. 1 with Superman on the cover, which went for $1.5 million.

But Fishler says the price paid is the most for a book from the Silver Age, the mid-1950s to about 1970.

"The fact that a 1962 comic has sold for $1.1 million is a bit of a record-shattering event," he said. "That something that recent can sell for that much and be that valuable is awe-inspiring."

Usually, it has been comics from the Golden Age — typically from the late 1930s to the early 1950s — that draw seven-figure sums.

In March 2010, a copy of the 1938 edition of "Action Comics" No. 1 sold for $1.5 million on ComicConnect's website. That issue features the debut of Superman and originally sold for 10 cents.

In February 2010, Heritage Auctions in Dallas sold a rare copy of "Detective Comics" No. 27, which featured the debut of Batman, for $1,075,500. Fishler said the same issue had initially sold for just $2,500 in 1985 and for $140,000 in 2000.
"Over the last decade it has become a rather legendary copy because it was in the hands of a collector and no one thought he would sell," Fishler said. "The owner came up with a figure that he didn't think anyone would pay, and it was paid."

"Amazing Fantasy" No. 15 has long been prized by collectors because of Spider-Man's debut. It has been reprinted and made available as a hard-cover, too.

The cover, drawn by Jack Kirby and Steve Ditko, shows Spider-Man clutching a villain in one arm and swinging from his web with the other. It originally sold for 12 cents.

Writer Stan Lee and Ditko co-created the web-slinger and his alter ego, the awkward but educationally gifted Peter Parker, who was bitten by a radioactive spider.

"Spider-Man is one of Marvel's flagship characters so, yeah, I'd say 'Amazing Fantasy' is very important," said Marvel Comics editor-in-chief Axel Alonso. "Funny thing is, the series — which was formerly titled 'Amazing Adult Fantasy' — was scheduled for cancellation before issue 'Amazing Fantasy' No. 15 hit stands. It ended up being one of Marvel's highest sellers at the time, and paving the road for the 'Amazing Spider-Man' series that's run monthly ever since."

It also helped pave the way for Spider-Man adventures on the radio, television and the movie screen.

Lee worked for Marvel for decades, eventually becoming its editor-in-chief, and then starting other businesses, including most recently POW! Entertainment.

He said, given the price paid for the issue, "I wish had saved my old Spider-Man books."

Back in the early 1960s, there was never any thought of saving extra issues or the original artwork that made up comics because there was no space to store the artwork or books sent back by the printer.

"So if someone came to deliver our lunch or sandwiches or something, before he'd left we'd say 'Hey, fella! You want to take these books with you or this artwork with you?'" Lee said. "We were giving all that stuff away. Nobody thought to save these books."

Lee said there is more to the price tag than just money.

"I think it's just wonderful that these old books are now considered, in some way, ancient treasures and are thought of so highly that people would give so much money for them," he said. "I would never have believed it, but I am very impressed."

___

Online:

http://www.comicconnect.com/

Saturday, March 5, 2011

Green Lantern: Emerald Knights



Click the link below to see the trailer for the new animated feature Green Lantern: Emerald Knights. 




Green Lantern Movie Trailer2 min - Nov 16, 2010
Uploaded by FilmonicTrailers


This from Buzzfocus.com: 
[The movie] weaves six interlocking stories of the Green Lantern Corps’ rich mythology around preparations for an attack by an ancient enemy. As the battle approaches, Hal Jordan (voiced by Nathan Fillion, Castle) mentors new recruit Arisia (Elisabeth Moss, Mad Men) in the history of the Green Lantern Corps, telling tales of Avra (the first Green Lantern) and several of Hal’s comrades – including Abin Sur, Kilowog, Laira and Mogo. In the end, Arisia must rise to the occasion to help Hal, Sinestro and the entire Green Lantern Corps save the universe from the destructive forces of Krona. Penned by comic book luminaries Geoff Johns, Dave Gibbons, Peter J. Tomasi, Eddie Berganza, Alan Burnett, Todd Casey and Michael Green & Marc Guggenheim, Green Lantern: Emerald Knights will be distributed June 7 by Warner Home Video as part of the build up to the release of the highly anticipated live action film, Green Lantern, in theatres June 17.
My thoughts:
Of course, we are only dealing with competing trailers here, but, despite the fact that  the animated feature is  a “kids” movie, the theme, swell music and intensity all feel far more epic than the pop corn-gobbling trailer for the live-action, big-budget Lantern release, scheduled for this summer.   Reynolds simply lacks the gravitas for the role; and the camera’s obsession with his abs detract from the nobility of his actions.